what giving creature is this

something like a whispered song

mere touch

her meaning is like the texture of the perfect

my mother has escaped love

that love is no mere enthusiasm

savannah

how comes the muse to the latched-upon artist

swing

she wears galaxies of memorabilia

Thursday, February 18, 2021

no kiss

want for it wild,

the wind in your brow,

to send you ‘cross the waves

of your long-past stars.


i think i’ll not take that

kiss now, but rather run

back through the fields

of my youth,


to send on its way

this masked present,

this place in a

dank corner.


i seem to recall that

holding hands for the

first time was the best

innocent arousal;


that sensing something

in the smile, seeing something

in the web of the fingers, was

the finest mark of new destiny.


now is the time, i believe,

to raise the child in me 

back up, to breathe the heavens

of its collective cosmos 


that i once found

in first love, whatever 

that was when the 

earth had a better tilt.


it is that she is still 

there, really, having

never left the place where 

i first felt the crashing calm


that comes with a singular

moment seared into the

skin of one’s heart and brings 

tears to a boil when it’s lost.


that was life’s first lesson 

about love, if one is defining

love in the way of compounding,

crazed, green vibrations.


it was love of the kind

that put little kinks in

my walk when i knew she

would be where i was headed;


or salted my tongue dry

when i wanted to say a clever 

thing and had it all fall out

onto the ground like sawdust;


or made her enter my dreams in which 

she replaced Jodie Foster as the lead 

in that whatever-movie-Jodie-Foster-was-in 

that made me fall for her in the first place.


we only held hands, my first

lover and me. my first skin-

to-skin with the ethereal,

my first tumble into wonderland.


i thought i wanted to kiss her

because i saw kissing

on the television and believed 

that was the right gate into something.


that two people collided in some

violent, inviolate way which caused

the chemicals of reaction to induce their 

new collective atoms into a sort of dance.


but i am more endeared to us

having not kissed, having instead

enfolded fingers clumsily, for the

fact that it seems to have allowed


me to dream with a clearer view 

of what was something not

meant to be anything but a glimpse

into the heart of my later self as a star,


rather than the fading light that

flares off, to die away having first

burned, then waned, then cooled,

then disappeared altogether.


it was as if we knew what touch

meant, in some primal way; how

it transcended the mossy stump 

upon which we found ourselves sitting


and elevated us onto the same plane

of existence as the heroic ancients and the

departed souls of ancestors whose

passions seemed as pure as first thought.


we were bad at it that first time,

even though we negotiated the

moment beforehand by one saying

to the other that it would be ok


and the other agreeing with a nod

and a blush. and when the moment

came, it had to be alone (something we 

both ached to have happen spontaneously),


and it had to be quick (something

that neither said but both felt) because

holding hands for the first time could

not just go on forever, lest it


become too awkward, the way holding onto the 

pronunciation of a simple word so long that

it stops having a meaning and becomes

silly when you utter it to yourself, like “puddle.”


so one of us let go first, each hand 

vibrating from it after, and we did not look

at each other but i know it made her

dance home like it did for me.


what regard, then, do i give

my plight in winter days when

i long for this tenderness from

youth? not to go back for sure


but maybe to just let myself 

dream-recall, if only for a moment

before i get back to it,

before I return to here.


doing so affords me the chance

to not let it be spoiled by too

much sun and air, and therefore

remain fresh and eternally vivified.


i think i’ll not take that

kiss now, but rather run

back through the fields

of my youth,


because it’s better

knowing what it did

to my later knowing, what

it did for my later heart,


to have let love lead

me to this place of certain-always,

than to have led love

toward a stale perhaps-never.