what giving creature is this

something like a whispered song

mere touch

her meaning is like the texture of the perfect

my mother has escaped love

that love is no mere enthusiasm

savannah

how comes the muse to the latched-upon artist

swing

she wears galaxies of memorabilia

Monday, June 27, 2016

the day after the boy turned 8


those blades of grass
are going to brown
because we've seen no rain
for weeks

and the kitten
taken too early
from her mother
stinks from not cleaning herself

and the cars on the
street rattle over scabs
of dirt left
by the construction company

and the laundry
remains un-kept-up
in balls and in piles
in baskets and on floors

and something remains
left to be construed
in the way people
talk to each other

and the poet
palms his cup of coffee
and puts pen to page
in a scowl

and the pole beans
and the tomato plants
and the carrots
and the lettuce

thirst to the root
beneath the circling hawk
who stole two chickens
and a turkey

and the two-year-old
asks for milk in her
cooing mew no thirst
but comfort-craving

it is june 27
a monday morning
the day after the boy
turned 8

and the hours set
to the springs of a watch
wound by the tips
of a boy's fingers

Tuesday, June 14, 2016

the girl in my hand


no time to be cold
no time to be smiling
no time to be burning
no time to be tired

the girl in my hand
is ready 
for some conversation
that i'm not prepared for

i can feel it
harbored in her heart
a desire to
be heard, fully

the engine of her
cells was born
as a mechanism for
profound dissertations

but we trip that switch
as soon as they exit
the womb
and they dance instead
all the time for hips
all the time for breasts
all the time for skins
all the time for lips

the girl in my hand
is not yet ready
for the knife to the flesh
or the finger down the throat

her mind not yet
distended from
the sewage of all 
those glossy prophets

whose forecasts
send the girls
to mirrors
pinching distorted 

reflections
of the figure and never 
minding the
distortions of the mind



every time for him
every time for her
every time for them
every time for us

we are her centrifuge
spinning her out
and separating her
from her lovers

we watch
and we play her
and judge her
and distill her into a glass

drink her dry
and leave her
to begin her
way toward center

wondering why
she is
why she is
draining


some time i hurt
some time i cry
some time i bleed
some time i vomit



the girl in my hand
is not looking in
but looking out
because her in is out

and she is her
and we are her
the world folds
into her

and by God
this is where
it should happen
that i not fail

and by god
this is where
it should happen
that i listen

me for me
for me for
me for me
for finally

Thursday, June 9, 2016

the king's derby



my son and i built
a car from a pine block
to enter it
into the derby

he joined the Scouts
like i had at that age
and together we crafted a car
that looked like a killer

a spoiler and
a sloping nose
it was slick and painted the
colors of the flag

and i had visions
of us - father and son -
hoisting our car above our
heads in some picayune glory

a first son to his father
is a casting of a long
projection of expectations onto
a canvas woven of past fears

what we want of him
is to validate our shadows
of doubt; a first son is
a way toward proof of life

my son esteemed me the way i
esteemed my own father and
he built for me as i had built
for mine a hall of statues

on race day we
let loose our crafted
car one after another
against those of others

anticipation was a wing
in the chest;
a man and son standing abreast
aflood with the expectation of something portentous

i looked down to my son's face
(years before i had to turn
my head up to see it)
and his eyes held in them crowns for a king

and in each heat
our car slid down that sloped
rail paired against a faster
foe and came to a pathetic empty stop

and after each
i looked less down to him feeling
the blush of shame and knowing his eyes shrunk
with every passing failure of our car

and in conclusion of the day
we took our slow dog
and went home wordless to each other
in our dismissal of evaporated illusions

and i told my son that i
was sorry for how it all went wrong
and the lights of the hall
of statues went dim that day

crowns and scepters are for kings
not mortal men: fathers to their sons are no
less regal, or so they say
but to this father, the pomp was precious

and with the passing of time
the car collected its dust
upon a shelf from home to
home and then disappeared altogether

the father shrunk
the son grew tall
statues are made to
be perched upon

by birds and fallen leaves
and time is expected to
do nothing but march and march
and laugh in the face of kings