what giving creature is this

something like a whispered song

mere touch

her meaning is like the texture of the perfect

my mother has escaped love

that love is no mere enthusiasm

savannah

how comes the muse to the latched-upon artist

swing

she wears galaxies of memorabilia

Friday, October 28, 2016

sonnet for the bird with the hollow song

i care no more for your enthralling song
your recitals i refuse to attend
those once-beloved lyrics now all but gone
with that performance, i cannot pretend

i am left more cautious since i have heard
your siren sound tempting my ships to harm
how you caroled us with your cloying words
and burned us with the bitters of your charm

now you've flown to feed upon new goodness
to trill your story for another soul
with fresh audience, no need to confess
to the deceit that exacted this toll

you flew alone by force of your own wing
from a cause you invented, did you sing

Saturday, October 22, 2016

three leaves


these last days of autumn
shimmer down to something
close to the moment before
sleep, when the world outside
contracts into darkness and
the ether of dreams comes
drifting

out a dining room window
of our simple maine farmhouse
a red maple stands with half his leaves
still blazing, still clinging
to branch, while two thousand miles
away they eulogize my uncle

who was my father's best
friend, chumming together in a
small maine town in the 1950s and
who married my father's sister,
thus becoming family, and who,
like that indomitable maple, let fly
a thousand brilliant souls each year

there is a launching in a death
a love in a passing on
a joy in a giving forward
a strength in a receiving
an awakening in a faith
a salt in a sweat of real toil

i look at my shedding maple
while a northeastern rain tamps
down a landscape that has become
a watercolor painting while on
the radio simon and garfunkel
carol about bookends

i love jack's youngest boy
like a brother, more than i
loved jack i suppose
but only because i knew the boy
more than i knew the father;
we were chums of a different
age while our fathers looked on

a physical relationship
made fallow by the circumstance
of distance but a love and
kindredness bonded by a conjuring
unknown to either; our affection
a hit-or-miss lesson found in the
mysteries of tornadoes and falling stars

jack left maine years ago, took
his wife and their children across
the wide world, to build bridges
between men and god; to sing of
a savior to whom he devoted his
life; to pray; to prostrate himself

there is distance in time
and in space but not
in blood, so this poet calls
across the separating miles
while he stands at the trunk
of his dripping maple to
ponder the fallen at his feet

to find three leaves in
communion among a thousand
in a placid congregation.
how my eyes fell on these three
is a question for the interpreter of
fortuity; all i care about is
that i am here, awake

jack was an orphaned irish baby
from boston who came to maine
in youth and who played baseball
and basketball and ran track with
my father - that's history
i've seen all the black-and-whites

two men hatched in poverty
but rich in something else,
something made of the iron
of will and fortitude of soul;
how they both bled from their
flesh and cried from it to
no one but their own hearts

there is nothing more
eloquent about the men
of that generation than how
their graciousness in maturity
was informed by the tribulations
in their youth

i believe in the lesson there,
i'm attracted to the value of
their constructs: how, brick
by brick, they fashioned a life
for their families in the form
of a thousand selfless decisions

my brother daniel and his siblings,
progeny of the felled man,
is living my foremost fear
as they now are witness to the
coming of an age in which
the foundation of their lives
has been smashed

i took a picture of the three
leaves at the base of the tree because,
of all those countless gifts,
these three measured the most
and blazed most brilliantly
and came to rest in a certain
embrace at the feet of their
beloved giver

all great good men
stand for something
larger than themselves by
the exquisiteness of
their humility. the
shadow they cast is thrown across
time and space, no impediment

and while his generosity was spread
and spread wide, his gift of fatherly
charity coursed through his limbs
and infused into the hearts of all
those receivers, i believe
it lingers most in the
blood of his children to whom i
bow as i do to these
three leaves

Sunday, October 16, 2016

blur

we were married in a sage masonic 
meetinghouse during our descent,
on the stage of that stoic hall, as
part of a late september day dressed 
with mist and autumn removals

it was a fine place, yet what is a 
place but a context into which
we rain our droplets of time 
that we manage to 
stir into something like a life

my brother took pictures for us, do you 
remember this? and nearly none of the prints 
came out, those vague images now - in looking on 
them today - a reminder of how nostalgia is 
really just a meander through a flustering fog

let us, you and i, go back for a bit right
here, through that narrow aperture of memory, 
and think on the day with the vision of two lovers
who are bowed against a headwind that
seems always to shoulder against us

and recall how it was all an ambition
toward gaining a certain quarter that we've not
ever been given, not really, but let's
not forget the moment or pretend
that we received our desired acceptances

i want nothing more now than what that
would feel like for you, whose 
blessings were lost in the smirking
visages of all those foreigners who claimed to
be in the blood, saints abroad indeed

i know the pithy insults and where they
were aimed, and i know that they struck you
with a velocity and were tipped with a poison
meant to topple you, to bring your towers back
down to this earth in a smoulder

it was a rebuke from a loveless crowd,
a riot of the yearning, whose tongues 
wielded a lash of resentment against the
bride and her joys with their eyes turned
away from their own hands

regardless

think on this day with me and recall the
table rows with their wood-slatted chairs
and the picket fencing we set against the
front of the stage encurled by white christmas
lights, and think on the bales of hay we brought in

the cornstalks we stood about and the baskets
we filled with gourds of the season; the 
tables we laid with country favors; the
dress made by my niece and the children
standing as the truest of witnesses

how you wanted so much to host it in the back
yard of our village farm, where the landscape 
was framed by the rows of maples and pines
and what small pasture we had sloped down to a 
pond overspread with the discarded colors of fall

the weather conspired and turned us out and 
sent us inside, but thinking on it now i wish 
we had forced the pharisees to stand 
outside with us to feel the same palsying 
cold from the rain that we felt from their carping

no i don't
in fact i don't
i know i don't 
i'd not join their
ranks for gold

after all

we cannot change
the hearts of the vile 
anymore than we can
change the whip of the wind
or history in its watery hold

but how i fight against the
wishing and the wanting; how i
push against the yearning for a
salvation from my sins, a confession
that once went out to my beloved

as if they are the stewards
the keepers the guarantors
the angels the founders
the givers the makers the 
healers and the true

all of it nonsense

the truth of the present hurt is in the
way in which we stand before the mirror
now and consult not the confidences
in our passion, but the braying echoes
from past jurors

whose evidences against us were 
smaller than the incrimination
we laid against ourselves,
and the sentence we administered
was self-inflicted 

because where are the judges now?
in their hovels again, waiting to
spring on another so-and-so
whose tumble will set their tongues 
wagging once again

there is a reason why we see the dark 
whenever there is light all around,
why we paddle against each other
in an endless round when we're sharing the
same shuttle on the same intrepid sea

i want our photos be left to 
blur and seen not as an omen to the
vex that we felt came from fate
but as a symbol for our real passion

that leaves all the gallery scowling
as they squint at us in their
frustration for not being able to quite make
us out; quite make us clear no matter how 
hard they look or demand our focus

i'm a poet in a mood on this october day
and i spy a single maple with two different
plumes of color; two crowns for a single
tree as if two lovers conjoined sinfully in
a violence of passion

it looks like mist is coming this way
and i'm casting across time for you
and for me with its warps and its
evaporations until we stand, again
in that hall, happily blurred

Tuesday, October 4, 2016

cicada bottle summer


the kids just last week presented to me a
trim, stunted bottle unearthed by the rooting snouts of the
piglets in our garden bed out back
where the soil is still a rich virgin black.

i placed the vial on the sill of our kitchen window
above the sink and it still held the earth in it;
so besodded that the light outside labored against
an obscure passage through its thick glass:
the random specks of dirt constellations in an
unfocused universe

and so it is with memory, which is constantly
strained through the gauze of time,
filtered and abridged to the point of it all approaching
mere romance when it comes calling to the fore on
some trigger

like it did when i considered the bottle on its
new perch, with the world of light outside
peering back through it to me as i peered at
the world through the vial and in a moment i was
reminded of the cicadas and one summer day

(i am told to avoid the sentimental by sticking to
the showing of things and not the telling and by turning
the hand to the figurative and leaving the abstract out
in the withering cold - so i will attempt to here, but in truth i
am in love with this memory, all joy)

how my brother took me digging for bottles in august
one year when i was - perhaps - 10? that sounds about
right because i ached differently at 10 than i did at
13 when he was 20 and no longer at home

what lived inside of our conversation that day i do not
know, but i pretend to know by assigning this broader truth:
we said little, the way the mature and the immature
say little of substance to each other because of the
gap in age and understanding; especially brothers

this half-fiction, therefore, would have other voices in it:
namely the creak of the metal bucket that swung in one
of his hands while the other gripped the short handle
of our father's spade that my brother bore on a broad shoulder,
twirling the metal of the spade like a boat's propeller

or the flop of his Converses onto tar in our perspiry push
up hill against invisible wave on wave of swelter; how
our eyes stung against it and our lungs were filled with
the density of haze

or the cry of the dog day cicadas stuck in the limbs of
leafy ash and sugar maples and birches that stood
on either side in their own dense congregations; how
their everlasting saw was a hymnal to some prevailing dream echoing
a song of end-of-summer longing that hummed in my own heart

my brother borrowed the idea of bottle hunting from our
uncle, who scavenged for them as well, unearthing such
colorful curiosities of medicine glass that he would clean
and sell to various collectors

and my brother took it up and was adept at their discovery;
mining his own modest collections of blues and greens,
rounded and squared, long-necked and snub-nosed
that he too scrubbed, but that he kept for himself

posting his finds on window sills in his own bedroom
or upon the sills around our home. i marveled at their
altered optics, how staring through the antique glassware
was a lull toward divergent moods

the lighter colored bottles had me thinking of the
weightlessness of clouds observed from one's back in
a pasture; the darker colors of the fate of fallen leaves
into an autumn brook and how they could never resist the pull

he stopped at the top of the hill in front of a house and
he said he had been told it used to all be
farmland up here and how farmland was perfect for the
burial places of back-in-the-day houses and outbuildings

that all that was left were usually field stone foundations filled
in by the collapsed wooden bones of buildings,
piled upon by time with earth and leaves; that hidden beneath
that, with the point of the driven spade, could be found the bottles

i was a mere page to the leader of a great enterprise; on an
exploration led by a man knowing of the unknown world;
i marveled much less at the landscape than i did the shadow
that he cast across it, as younger brothers are apt to do of the older

all that needed to happen, he said, was permission from the
owner to allow us behind his property, down a hill to a place
i could barely make out as a thin line of a stone
wall at the edge of woods that, i imagined, once was miles of pasture

my brother rapped on the owner's door and we waited in the heat until a man
emerged daunted. looked my brother over. my brother in a pair of cut-off Levi's
with the bottoms of the pockets dog-panting out from beneath; my brother
with the long hair and a muscle shirt and shouldering a spade

he asked us what. said no to my brother's request. said no to my brother's plea.
come on, man. my little brother with me. just bottles. and then watched us
in a scowl as we walked away back toward home, my brother swearing over
his shoulder at him while i trailed. i was always trailing and looking back

he cursed the way home and spat on about how some people can be
this and some people that and don't tell mom and dad we did this
and here, carry the spade and how he should have just gone to the lake
it was too hot to dig for bottles on a day like this

i carried the spade over my shoulder for a length of the walk, then switched
it to the other side, then let it drag behind me in the dirt shoulder
while the dog day cicadas wound up in their trees and i listened
wondering about what bottles we had left unearthed in the old man's field

i look at the bottle my children gave to me
and to say what i would say would be
sentimental after all and i see the light seeing
me from the outside and i hear cicadas

Friday, September 30, 2016

give

i've defaulted on a few loans
lately and the lenders have now closed
their windows to me
for not meeting their terms

perhaps i'm sorry or
just not taken in by the
rate of interest and how it all felt
like an ambush of serpents

i prefer equal terms scribed
within the bright tails of those luminaries
with whom i've shared some
meteoric passing

an exchange of corresponding
light against a contrasting dark
no unparallels
no imbalances in our intensities

you burn for ______ and i burn for _______
expressed in a graduation
of interest and meaning
to step in step, in kind, and deliberately

all my recent lenders are
on a take after all - saying with
full mouths whatever it takes to
convince me of their hunger

does anyone give truly
without the shading
eclipse of want?

does anyone truly want
without feeling the
sweep of guilt's hacking scythe?

i'm a fool in the
service of my heart
and lack the cool
dispassion of ice

that covers the lake
in winter or the
hot hunger
of fire in the wild

unable to believe that what i will
lose from offering my passions
will counterbalance
what i will gain

and that it all
in the end is an
exercise in the
leveling out of truths

and i suppose we
lose, we all
do, in the games
we play with our hearts

no one is the same
and we all fly toward
what we desire with
faults in our wings

but i -
i want my want to
be not answered
with your beckoning palms

but rather with
an open cup
into which i
pour myself

to be consumed
with genuine thirst
and to give equitable
nourishment to a lover

than to be asked
and asked again
and shown vile
disdain

if my cup goes
dry from
the evaporating
powers of your selfishness

as if one can
taste the flavors of
my affections with
a mouth full of bile

let's give and
give; allow to
be given to and
let it be just that

and then - then
i will refill my
cup for you
and for you

Monday, September 26, 2016

your dry field

i'm a thunder advancing
the edges of your field,
crawling in a scold,
rumbling toward that
squalid acre

where you pitched a
flag to stake a claim
with a tongue that
carries the poison
of asps

yours is a field turned to
scrub, bordered now by bramble;
no more dancing daisies, happy gilia:
all of it burned by
the transgressions of your lips

you summoned this heat
that has dried your
range and drained
the waters underfoot
and now

look at you
pouring vain tears
onto those
deep cracks hoping to
call back the flower

i offer no hope
bringing my torrent
from a gray brow;
these are not tears but
something to whet your ego

to make you thirst
again for my attentions
only to see it all
evaporate when i've
passed you by

that is the way of
the drought: when some expect
the deluge to be a cure when
a month of rain
is the only way back

Tuesday, September 13, 2016

we had our forests


we had our forests,
my father and i,
where i witnessed the
sanctity of his gesture
on walks that trimmed
our margin

a hike taken in a place
with precipitating light
and inscribed
with the words of god

what mastery
of yours
did you bring to
that place for me!

my shepherd
in a cathedral of
spruce and pine,
steeplebush and needle

bowing my youth
and making souvenirs
of all the
parables between us

while bending the branch
and tramping
the fallen leaves
decaying underfoot

i witnessed those steps
before me
with the attitude of
the sojourning pilgrim

crossing great
oceans and
weathering great
squalls and
piloting great boats
made of the thinnest of skins

we had our forests,
my father and i,
whether in the hunt
for a tree to ornament
in december

or a vernal brook in august
into which we could
cast and wait
and cast and
wait

i couldn't wait of course -
i tried, i talked
and you listened
and i talked over
your listening

my boy-chatter a
thief of the
melodies of rapt immersion;
an oppressor of
woodsong and woodsilence

you would shush me
and i would watch the
back of your shirt
and ponder your heels
while the broken current
resumed

either way
our moments were
present like suspended
hummingbirds
flitting and filtering
captured by nothing
except opaque memory

a fugitive place,
memory, swallowing
life whole and
regurgitating
the merest ghosts
of it for our sympathy

i have tried congregating
the hacked recollections
of my youth into
something of a meaning

and what is left
is no ghost
no forlorn decay
no rot
no crumble

i see the
lanky birches (your
favorite)
and the brawny oaks
the barbed firs
and the leafy maples

i hear the champ on
the dry underfootings
and the trill on the
branch and a breath
in the canopy

and i especially see him
my father
and how his arms - yes
and how his legs - yes
and how his hands - yes
were my tenders

we had our forests,
my father and i,
like a soft hymn in a
sleepy boy's ear:
a sweet song
sung low
a hum

just a hum

Wednesday, September 7, 2016

my serenity

i.

i became vexed
by your capture
and the menace of
your leveling domains

foaming torrents
coalesced
beneath your brow and
exuded an eliding patience

i in my swagger
pranced in a boast,
delighting with
the purples of hubris but -

soon weighted and cowed
by the sway of
your scowling lectures
and fisted ragings

you wore me to the
thinness of a sighing
wafer and in my arms you
unspooled chaos

dispersing from your
coil certain hymns
to a sympathetic
yet minor god

until in a softening
light i hardened into
a pearl of a man
called father

ii.

i make of this life
that no road really
ends and no road really
goes anywhere
but people end
and people go
that a prayer is a possibility
a dream a song
a dishonesty a knife
that life is the prolonging
of an affair with god
that you'll know the meaning
of my life at its
broad dusk
that you'll sit facing
it the way a
cat faces a field
of tall grasses
in late august
toward the anonymity
of all those blades
all those wisps of
loitering blades

iii.

daughter of my daughter
sighted softly

in a vague rain
emerging out of a lurk

a firedancer and
frolicking waif

scuffed toes pouring
light from a genie's cloak

no beholding pride
no forged facade
all wonderment
beneath a cascade
of fragrant life
and yearning flower

a certain belle
beneath a parasol

of an unsculpted mother's
enfolding serenity

Tuesday, August 30, 2016

after loving


you're as tempting to me

as a voice in the loitering ear
as a finger within the melding folds
as a release of the theological moan
as a breath of the jubilant tear
as a quiver in the harmonic deepness
as a lure of the rushing smile
as a parting of the governing limbs
as a nuance in the presiding glance
as a kiss on the shading mouth
as a tongue on the greedy flesh
as a flitting of the consoling nipple
as a smelling of the dashing rose
as a rocking of the foraging hips

make love in the making
     find fondling in the love
inhabit the lover in the flesh
     tumble in the skin crying
mouthing the lips with a splurge
     engrossing in the man
and woman in the woman
     man in the man and
falling into a sliding
     tumble to find a following
and groping for them in the dark
     looking for the pearls in the
way your lover plays
     along the piano keys
and licking their way
     to where you inhabit the
grandness of your granting
soul

fall deep
deeper still
joust and shiver
in their arms
but be still after awhile
then find a way to
say it

Monday, August 22, 2016

pray

now comes my father
prostrate in his
own garden
ebullient and free:
he readies his solomon's temple
and God enters in
a slow descent

green goes the tightened
apertures
dilating
the corrugated irises of
the closed mind
and i leave and
arrive

he seeks - my father -
to burrow down into
the valley toward
tranquility
peace is peace
no doing
no meaning

pitch from the canopy
of pine floats down
upon me;
the grace of a
garden with her
black-eyed susans
and asters and
chrysanthemums are
languid in a thoughtful
breeze

my father approaches
God on a bed of whispers

i lay
in deference
my face inches from
the grass:
blades are congregations in
tufts among
pebbles and twigs
tossed from tree-towers
and they all are epicentric to
my vision, no
landscape no horizon

my father's face
is in the face of
his Lord's
lips to lips
giving and receiving
something approaching
a haloed kiss

the good center
is a shallow pool reflecting
what i know
and in the vein a stream
toward an island
filled with knowledge
- winged horses and
laughing birds

my father delves
- no plea -
a pressing of palms;
a passage over
and through so that He
receives what my father
is, not what he wants

the earth is on hold
this mistress of humans
and the birth-mother of her
inhabitors calls me
to conjoin
and blades become
stones become
twigs become
me

my father
in prayer
is an abundance of
joy and a weeping
willow in a field of barley
his words are for him
and Him alone and i am listener
pulled into the orbit
of my father's blessings

amen

Tuesday, August 16, 2016

pammy

pammy, so verbally
pale, yet
soaked with the wisdom
of mothers,
saw her boy sent

has life been good to you?
has life been kind?
has God of others
been God to you?

or did all the heavens
burn up
and her angels fled
the day he was flung
in the night
and left crying?

we are stolen
in our time
from embraces
and from calamities
and we leave our loves
and our lovers
longing

we're all spun
within the same lottery
the same sobering
flip of the wheel
and we are flung
and the ball drops

something turned on you
didn't it?
something from the
clouds
precipitated and the
souls of happiness
they all fled
you

only you can make
the soaking twilight
of your son's fate
rise again on the
horizon
but just on those days
when others aren't looking

and all that meandering
between magic
and mayhem was
the only thing that
kept you hinged
because there's something
good in the moments
before dawn

how do i reach
the woman whose
loss split the
canyons of
love and drowned
the valleys of
her spirit?

i hold a child
in my arms and
fear her departure
is nigh
and i rage for
your loss as much
for my own

but i see you pammy
in a moonlight
lull, looking
out a window on
a staving wood
and i wonder:
how did you shine on?

how did those days
become nights?
how did that ambush
not carom against
your droning dusk
and make you a pale
shell?

i've said and i
say: a woman
whose womb has
spilled out and
with it the shape of
her fear and her
jubilation

is a woman
ascended
and a woman
reached
and a woman
giving
source

i see my mother
and mother's
mother
and i am
held
fast

women like
pammy who've
let loves pass
and became
perched on
the arms
of living

because they
saw beyond
and above and
found no quarrel
with their
God after
all

Tuesday, August 9, 2016

pietà by my side

pietà by my side
draw me that
pitying picture

of The Mother
cradling her
spurned son

that has inspired all
those sculptors, poets
and painters

to live, a poem
must die
in the lap of the poet

resurrected by
the source of
smashing love

tear it down tear
it all down and
pietà builds it up

by my side
in loose
lashes of the pen

my partner in
heraldic play
hand to pen to paper

the mother and the poet
sacrifice their children
to brute betrayals

and watch
their ascensions
from guttural prayers

we incant
and we outcast
and we topple

the girl with
hair the color of a
Mediterranean night

proves again
that i must seek
the shelter of palms

of the guiltless
ones who have
a better view

of the source
of the free
and epic heavens

unfettered
by the tongues
of elders

pietà by my side
wings across
the page with doves

as her beloved
carriers; no foil
to the divine process

i fly there
too when i'm
a child

and i have
loosed the latches
on all the bindings

pietà by my side
it's a pity
i don't dance more

the way you
do and let fly
the sins of men

that keep the
mothers and the
poets crying

Thursday, August 4, 2016

tally

takes the tally
and makes his mark
the fouling driver
hollers and the
hungry hawk
hums

with a brute lash
he
makes her a prisoner
with a knife
to inner thigh
lie still and yield

mine mine mine
he marks -
mine he marks -
marks his mine
tick tick itck
she unmarks and unmarks

singing
in her head's head
a hymn from
a former glorious
field
wandering

and he makes the
the blade thrum
'cross the
chrysalis flesh
pleating it
bleeding her

of her senses
feeling it
retreating her
from her
once upon
a time

when she was
a child and
scudding through a
farmer's pasture
bare legs bending
the blades

a wet wander
wild and
hilly
a stumbling
girl's giggling
elopement

the blade
today is a
tool of the warden
to scowl
a lapsed
girl

lie still lie
to yourself
fly from
the shape
of the sound
in a dark room

tick tick tick
mine mine
tally a penalty
into pliant
skin the color
of sin

momma will
say you've
got a good man
to love you
enough
to fight to
keep you

blundering
bitch
blubbering
braying
beast
bestill

this place
her passage
her way
her forward
her entrance
her real

this man
is no man
is a dagger and
stone and
the power
of a spit
coal

and brandisher
a mulling
percher
ambushing the
ambitions
of the weak

pouring
salt water
into the eyes
of
the souls
of innocence

and she
was lured and
slain
and pinioned
between charm
and will

tick tick tick
for each
transgression
against the
father of
her dark cathedral

she won't look
now she won't
dare; for
it's a frayed
fragile
foiled place

yet:

her lover
does look now
a gentle man
looks
and loves
and lingers

there
where the hawk
once made his
mark
this lover
kisses the place

he loves her
he loves the woman
he loves the flesh
and the marks
he loves the woman
and all her marks

he washes
the walls
of the tallies
with tender fingers
tracing
the lines

that will
not ever be
erased
but he washes
at will because
he loves

and the girl runs
wild in the
farmer's
pasture again
free free
of the tick

tick tick
mine mine
you're mine
no longer mine
not mine
released to a

passionate
lover who
knows this
woman:
he sees her
he knows

he looks
he looks
and sees
and kisses
and loves
her clean

Wednesday, July 27, 2016

my portable moonlight

my portable moonlight
lulling me into loving life -
a seductress with your
impermanent posture
pulls me toward a terrifying
peace

i have not tried
hard enough
i have not cried
long enough
to know the
spoils of good love

you blunt me and
you enmeek the brimming
crowds that soon
yield at the knees;
the sky a sable oyster
and you a cunning pearl

i have no impostor
in my bed at night:
my passion is a
greed for something
hot and brutal
and eclipsing

so don't follow me
so much;
your eyes remind me
that i destroy
things and my life
is unclever

there is no precision
in love as a matter
of fact; it's all
a fist of brittle
leaves tossed into
a retreating wind

so you hang there
and i sit up
next to my lover
with my knees folded
and my head cocked
and my soul starched

invent for me
an ending to this story
in which there is
no fatigue of heart
when the lapses of love
come careening

do that for me
at the least
my portable moonlight
and remove from me
an excuse to
loiter in my penalties

because i want
love to be love
and all else to be left;
for life to be life
and all else to be lost
beneath your pale sweep

Friday, July 22, 2016

you

the pursuit of
your leisure is the
oxygen of my love:
your untensing
your fists released
your loins gone back to meekness

and our repose
is not unlike
being drowsy in the
sun of an open window
on a day
meant for labor

yours is a metaphor
found unfurling
in the language
of your limbs: they speak
in rising waves
of a tidal pool

bees tending to their
peonies below the
window
are lovers tending loves
after all
and you tend me

the waning light that
passes into darkness
is the definition
of spells; the magic is there
in a thin line that evaporates
and you're asleep

i with a hand cupped over
the place between
parted limbs
find a warm comfort
in the measure of
the days between us

age can be
a supple haven
between two old
lovers whose
fingers find no fault
in the familiar

i love the curve

of you

in these nights

those small

small small

hairs on the tailbone

and your

breathing

into a pillow

Monday, July 18, 2016

she takes a lover

and the man kisses his lady,
watches her drive
from their home to
meet her lover,
the swollen sky a'dusk
is the color of plum

and the garden beds emit
green flavors and the scent
of a lulling fertility;
on the ear
the sounds of
calling crickets

and in his chest
the night breathing
opposes his own;
his lungs pressed upon by
an unexplored thought
while something low stirs

and he sees the taillights
of their car
some way down the road
and he wonders if that
glance in the mirror was to
check her face or his

and the porch light
winks against the dance
of night flyers
oblivious to the white
burn that ends their
black lives

and he walks around
to the back side of their home
to sit on the stoop
that looks down their
long pasture toward
the elm at center

and this is the
business of summer:
a wanting elm
and the coy reveal
of her palms
at the first blush of a breeze

and the coming of
something strong
over a western rise
flowing over and across field
down and through, tousling
that tufted thatch

and he finds his
hands together;
his heart ponders
with his eyes east
overlooking
the laid scene

and there is a vision
of something in the
world turned reverse
that makes the night sky
burn and the earth
cold

and the form before
is something observed
but he wonders
is the image
the thing itself,
or is it not?

and the wind, he
is driven to gain
from his advances
across the field
pulled but pushed
equally so

and the man whose
lady has taken a lover
looks on the scene
with enfolded fists
and his mouth
surely set

and now the breeze
has grown to wind
and finds the elm
with limbs bent to his
will and he
pushes through

and the man
closes his eyes
parts his lips
releases his breath
leaves his mind
opens his soul

and he is
becalmed by
whispers of truth
to the ears
within his
mind

and comes to
know that she moves
the way of the
swallow
from a need
in a mysterious heart

and her return will be
to him and him alone
enriched in some
unspeakable way,
overpoured from
a deeper well

and on seeing her
he'll drink from her cup
a certain
marking remedy:
something as warm
as this night

Sunday, July 3, 2016

nearer you

do you still yet find yourself
on a walk down that near lane
eclipsed by the breathing wood

drawn like we once were
by the worn latch of the cabin door
that led onto aged pine boards

into familiar gray-lit chambers
induced as blood is
into the vessel of life

and do you still yet find yourself
treading among a
breeze of souls

impelled toward
a day's worth of
languid summer business

of late breakfasts
of cool swims
of play-in-pines

we boys were gone
to an extravagant leisure
in a harmonic time

seeing God's reflection
in the mirror shards of
mr. hogan's watery garden

while across the way we
heard old mrs. whitney
flirting with all her visitors

and within this small
frame of our world
we were naked to

the sun and the moon
that both burnished
us equally

and there was no difference
between us that meant
anything important

we were elevated
as it were and were
of one coil

but these days deceived us
our innocence laid on a bier
made from the bones of brutes

poor from ignorance
who profited most
from the selling of fears

from the pew and the
pulpit they preyed
and summer was devoured

those days
were rolled up
and her windows shuttered

and the curiosities
of boys muted by
the lash of elders' tongues

we were taught
well to master the
provinces of passion

to keep our heads bowed and
quiet the inquiries that might
yield us to enlightenment

at once we were open
boys floating on a loft
of nature's mysteries

tethered as we were
by nothing more than
our imaginations

all brought to quarrel
by an injection of
terrors and eternal fires

i knew you were you
before you told me
years later

but didn't whisper the
name for it for fear
of impoverishing you

i knew you were not
being you before you
knew it yourself

but didn't put tongue
to it for fear of the
shadow it might cast on me

and so we two boys
who once danced closely
did so less closely now and

learned not to say
what was meant to be
said but bridled by pain

and allowing the world
to tell us that you
were no man if you were that

often in the course
of having grown up
i wandered and wondered

how our unfettered
friendship got filled up
and guilt overspread it

how i could possibly
say i loved you without
the specter of a crucible

between the cross
and the shadow
of misinterpretation

and how i became
a man who gave either
any weight at all

when really the only
true governing laws
are love and passion

and the only minister
ought be that which
drives a man toward art

because then and
only then a man allows
himself to be

and what is a child's
search for meaning is
not lost

to the patronizing peddler
of ancient words whose
true message has been fouled

and had i known
of the farce of it
all i would tell you

was that i loved you
and not fear the pinch
and the poke

of the hate-lovers and
the vile nor would i
succumb to my own

preposterous ghosts
who played with
the mind of a man drugged

and i would have been
nearer you and
perhaps even a small savior

and perhaps not learn
of your death in a foreign
bed alone by the interstate

and had i known that what we shared
as youth among mr. hogan
and mrs. whitney's heavenly harbors

was the truest pastoral
of god's love on earth
i would preach it full

and embrace my
friend and announce you
to this world

'here is a man!'
'here is a man!'
'here is a man!'

Monday, June 27, 2016

the day after the boy turned 8


those blades of grass
are going to brown
because we've seen no rain
for weeks

and the kitten
taken too early
from her mother
stinks from not cleaning herself

and the cars on the
street rattle over scabs
of dirt left
by the construction company

and the laundry
remains un-kept-up
in balls and in piles
in baskets and on floors

and something remains
left to be construed
in the way people
talk to each other

and the poet
palms his cup of coffee
and puts pen to page
in a scowl

and the pole beans
and the tomato plants
and the carrots
and the lettuce

thirst to the root
beneath the circling hawk
who stole two chickens
and a turkey

and the two-year-old
asks for milk in her
cooing mew no thirst
but comfort-craving

it is june 27
a monday morning
the day after the boy
turned 8

and the hours set
to the springs of a watch
wound by the tips
of a boy's fingers

Tuesday, June 14, 2016

the girl in my hand


no time to be cold
no time to be smiling
no time to be burning
no time to be tired

the girl in my hand
is ready 
for some conversation
that i'm not prepared for

i can feel it
harbored in her heart
a desire to
be heard, fully

the engine of her
cells was born
as a mechanism for
profound dissertations

but we trip that switch
as soon as they exit
the womb
and they dance instead
all the time for hips
all the time for breasts
all the time for skins
all the time for lips

the girl in my hand
is not yet ready
for the knife to the flesh
or the finger down the throat

her mind not yet
distended from
the sewage of all 
those glossy prophets

whose forecasts
send the girls
to mirrors
pinching distorted 

reflections
of the figure and never 
minding the
distortions of the mind



every time for him
every time for her
every time for them
every time for us

we are her centrifuge
spinning her out
and separating her
from her lovers

we watch
and we play her
and judge her
and distill her into a glass

drink her dry
and leave her
to begin her
way toward center

wondering why
she is
why she is
draining


some time i hurt
some time i cry
some time i bleed
some time i vomit



the girl in my hand
is not looking in
but looking out
because her in is out

and she is her
and we are her
the world folds
into her

and by God
this is where
it should happen
that i not fail

and by god
this is where
it should happen
that i listen

me for me
for me for
me for me
for finally

Thursday, June 9, 2016

the king's derby



my son and i built
a car from a pine block
to enter it
into the derby

he joined the Scouts
like i had at that age
and together we crafted a car
that looked like a killer

a spoiler and
a sloping nose
it was slick and painted the
colors of the flag

and i had visions
of us - father and son -
hoisting our car above our
heads in some picayune glory

a first son to his father
is a casting of a long
projection of expectations onto
a canvas woven of past fears

what we want of him
is to validate our shadows
of doubt; a first son is
a way toward proof of life

my son esteemed me the way i
esteemed my own father and
he built for me as i had built
for mine a hall of statues

on race day we
let loose our crafted
car one after another
against those of others

anticipation was a wing
in the chest;
a man and son standing abreast
aflood with the expectation of something portentous

i looked down to my son's face
(years before i had to turn
my head up to see it)
and his eyes held in them crowns for a king

and in each heat
our car slid down that sloped
rail paired against a faster
foe and came to a pathetic empty stop

and after each
i looked less down to him feeling
the blush of shame and knowing his eyes shrunk
with every passing failure of our car

and in conclusion of the day
we took our slow dog
and went home wordless to each other
in our dismissal of evaporated illusions

and i told my son that i
was sorry for how it all went wrong
and the lights of the hall
of statues went dim that day

crowns and scepters are for kings
not mortal men: fathers to their sons are no
less regal, or so they say
but to this father, the pomp was precious

and with the passing of time
the car collected its dust
upon a shelf from home to
home and then disappeared altogether

the father shrunk
the son grew tall
statues are made to
be perched upon

by birds and fallen leaves
and time is expected to
do nothing but march and march
and laugh in the face of kings